Postponed: The Subjunctive Mode, CGI, and Digital Editing: Documentaries on the Yongsan Massacre and the Sewol Ferry Disaster

Wed, Nov 10, 2021, 4:30 pm
Location: 
Virtual Lecture
Speaker(s): 
Sponsor(s): 
East Asian Studies Program

This talk has been postponed until spring 2022. More details to follow.

This talk discusses the applications of computer-generated imagery (CGI) and digital non-linear editing to three documentaries in the 2010s on social events that profoundly impacted contemporary South Korean society, including the Yongsan Massacre in 2009 (Two Doors/  Tu kaeŭi mun, Kim Il-ran and Hong Ji-yoo, 2012) and the Sewol Ferry disaster in 2014 (The Intention [Kŭnal, pada, Kim Ji-yeong, 2018] and Ghost Ship [Yuryŏngsŏn, Kim Ji-yeong, 2020]). It argues for two more significant contribution of the films to Korean nonfiction filmmaking and its commitment to the Korean society’s contested reality and politics. First, the films attest to the formal and aesthetic expansion of documentary practice in the 21st century— and, by extension, to its production of reality and truth— in ways that are irreducible to the verité mode of the 1980s and 90s. And second, more than asserting the disavowal of the objective truth, the digital images and techniques employed in the films are used to scientifically investigate and reconstruct the events beyond the camera’s record for the sake of unveiling their truths. In order to demonstrate these two points, I examine the uses of digital imagery and technique in the three films in the light of how they mobilize what Mark J. P. Wolf has called ‘subjunctive mode,’ a subgenre of the documentary “concerned with what could be, would be, or might have been.” In so doing, I also contextualize the application of this mode to the post-verité Korean documentaries within the global trend of digital documentaries (exemplified by the works of Errol Morris and Forensic Architecture) based on the archival, databased, and algorithmic approaches to photos and videos whose evidentiary value is dismantled but which nevertheless demand viewing from every possible angle.

Jihoon Kim (chungang.academia.edu/JKIM) is associate professor of cinema and media studies at Chung-ang University, and currently a visiting scholar in the Film and Media Studies program at Columbia University. He is the author of Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary (forthcoming in Oxford UP, 2022) and Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age (Bloomsbury, 2018/16). He is also finalizing Post-verit Turns: Korean Documentary Cinema in the 21st Century, the first-ever English-written scholarly monograph on the Korean nonfiction film and video in the private sectors since the 1980s.

Discussant: Devin Fore, Professor of German, Princeton University

Registration link is forthcoming.

Event category: 

Upcoming Events

Postponed: The Subjunctive Mode, CGI, and Digital Editing: Documentaries on the Yongsan Massacre and the Sewol Ferry Disaster

China's Viral Villages: Digital Nationalism in Times of Crisis

The Cornucopian Stage: Dramas of Endless Surplus in Early Modern China

Wed, Nov 17, 2021, 4:30 pm
Location: Virtual Lecture

Race of the Invisible Color Lines: Taiwanese Han among the Nanyang Chinese in Colonial Asia, 1895-1945

Manufacturing a Bestseller: Necessary Knowledge for Young Students and the Commercial Publishing in China, 17th to early 20th Centuries

The Annual Jansen Memorial Lecture: Digital Hormones: Robotics, Emotions, and Techno-Spirituality in Japan