Sound Imagination: The Making of a New Musical Culture in Modern China
The promotion of choral or group singing at the YMCA in Shanghai in the mid-1930s quickly led to a nationwide movement of organized collective singing and was regarded as an integral part of a rising New Music Movement in modern China. Many factors, from individual efforts to new sound technologies to historical exigencies, contributed to the phenomenal success of the mass singing movement. In his presentation, Xiaobing Tang will discuss how the movement unfolded and brought forth what would be known as a "singing nation" by the late 1930s. He will also consider the implications of a national community evoked through a new aural imagination and practice.
Xiaobing Tang is the Helmut F. Stern Professor of Modern Chinese Studies and Professor of Comparative Literature at the University of Michigan. He has taught at the University of Southern California, the University of Chicago, and the University of Colorado, Boulder. One of his recent publications is Visual Culture in Contemporary China: Paradigms and Shifts (Cambridge University Press, 2015).
Image: Huang Xinbo: Nie Er the Songwriter, 1935, 11.7 cm x 9 cm, wood engraving